The Associate

Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.

Oct 24, 2017 — In this intimate psychological thriller, Olivier Assayas interrogates contemporary society’s near-religious reliance on technology and its mediation of reality.

Feb 17, 2014 — Flailing fathers, anxious mothers, and their moody offspring—these characters may have tails, but they’re Wes Anderson people through and through.

Dec 3, 1990 — Over the years I have had a recurrent nightmare in which I am summoned to a large, unfamiliar building in a middle-European satellite country (Bulgaria, perhaps) to tell the idea of Annie Hall to the Bulgarian Minister of Green Lights,...

Brian Hu is associate professor of Television, Film, and New Media at San Diego State University. He is also the artistic director of the San Diego Asian Film Festival, and the author of Worldly Desires: Cosmopolitanism and Cinema in Hong...

Aboubakar Sanogo is an associate professor in film studies at Carleton University in Ottawa. He is currently writing on the history of documentary in Africa and the cinema of Med Hondo. He was instrumental in establishing the African Film Heritage...

Sarita Cannon is an associate professor of English at San Francisco State University, where she teaches twentieth-century American literature. Her writing has appeared in African Voices, Journal of Popular Film and Culture, the Black Scholar, Ethnic Studies Review, and MELUS:...

Anne E. Duggan is an associate professor of French at Wayne State University, a coeditor of Marvels & Tales: Journal of Fairy-Tale Studies, and the author of Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy.

Nov 28, 2022 — When Sight and Sound announces the results of its decennial poll this week, we’ll see what a list of all-time great films looks like in 2022.

Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.