The Criterion Collection
May 25, 2022 — Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.
On the Channel
Oct 30, 2020 — Channel Calendars With Thanksgiving around the corner, we’re grateful to the tireless preservationists who keep film history alive. Founded by Martin Scorsese in 1990, The Film Foundation has been an indispensable pillar of moving-image culture for the past three decades,...
May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...
Jun 11, 2018 — Building on a rich lineage of gothic fairy tales and noirish melodramas, this lavishly stylized curio has an ominous beauty all its own.
Essays
Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.
Apr 27, 2014 — A leading light of commedia all’italiana, Dino Risi specialized in fleet, satirical takes on contemporary Italian culture, and this road-trip smash was his most trenchant.
Aug 28, 2023 — Throughout her four-decade career as a writer and director, Susan Seidelman has told complex stories about unconventional women striving to express themselves and maintain their autonomy. Her genre-melding films fuse a passion for the pleasures of Hollywood spectacle with a...
Essays
Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.
Essays
Jan 10, 2005 — Seijun Suzuki's penultimate film for Nikkatsu is a subversively funny account of the making of a model fascist.