That’s My Man

Aug 13, 2024 — In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.

Aug 13, 2024 — This month brings riveting courtroom dramas, New American Cinema classics, giallo shockers, pre-Code gems by women screenwriters, and a new episode of Adventures in Moviegoing.

Jul 31, 2024 — Vancouver’s Cinematheque presents parallel series of American and international classics and outliers.

Jul 24, 2024 — The retrospective lays the groundwork for the release of a new restoration of Army of Shadows.

Jul 17, 2024 — With a deep dive under the hood of Ferrari, Mann aims to explain how he goes about making a movie.

Jun 21, 2024 — An underrated figure of Japanese cinema’s postwar era, the director tackled a wide range of subjects over his long career, including corporate double-dealing, government espionage, and various forms of fanaticism.

Jun 13, 2024 — Baker has selected seventeen films to screen in New York before her first feature opens next week.

May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.

May 14, 2024 — Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.

May 14, 2024 — Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.