The Criterion Collection
Essays
Dec 1, 2015 — Critic Todd McCarthy takes an inside look at Michael Ritchie's outdoor drama, which he calls “spare, cut to the bone, as fine as dry powder. Had Hemingway ever written about competitive skiing, this would have been the right style with...
Nov 19, 2015 — Satyajit Ray’s long-heralded cinematic achievement was influenced by European cinema but also grew out of long-standing Indian artistic tradition.
Essays
Oct 21, 2015 — Masaki Kobayashi takes on broken vows and the unreality of the past in his sensual and spooky four-part adaptation of Lafcadio Hearn’s Japanese folktales.
Oct 9, 2015 — Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.
In Theaters
Aug 28, 2015 — Wim Wenders’s movie career has been a heck of a journey. The director, who turned seventy this month, was one of the prime movers behind New German Cinema in the seventies and, in the decades since, has gone on to...
Aug 13, 2015 — The films Agnès Varda made while living on the West Coast of the United States are some of the most searching and challenging of her stellar career.
Jun 29, 2015 — This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.
Apr 20, 2015 — "Afilm about India without elephants and tiger hunts”—this was how Jean Renoir described his objective in making The River. Guided by Rumer Godden’s autobiographical novel, he rejected the India of exotic action and spectacle to make a meditative, almost mystical...
Feb 19, 2015 — The scholar and producer talks about his experiences on the set of a film that changed his life.
Jan 21, 2015 — Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?