Aug 20, 2024 In the late 1980s, filmmakers Gregorio Rocha and Sarah Minter set out to capture the rebellious subculture of youth in Ciudad Nezahualcóyotl, a slumlike suburb synonymous with the worst failures of urban expansion in Mexico.

Aug 20, 2024 In her formally daring debut feature, Martha Coolidge stages a confrontation with the subject of date rape that questions the kind of “closure” required in conventional storytelling.

Aug 13, 2024 This month brings riveting courtroom dramas, New American Cinema classics, giallo shockers, pre-Code gems by women screenwriters, and a new episode of Adventures in Moviegoing.

Aug 12, 2024 Featuring a new restoration of The Spook Who Sat by the Door, the series includes films by Renoir, Tarkovsky, and Edward Yang.

Aug 8, 2024 Curated by Ehsan Khoshbakht, Locarno’s retrospective celebrates the hundredth anniversary of Columbia Pictures.

Aug 8, 2024 The monumental forty-film box set CC40 celebrates forty years of the Criterion Collection with an electrifying mix of classic and contemporary films, and presents them with all their special features and essays.

Jul 29, 2024 Made in an era when self-consciously postmodern takes on the Bard were popular, Gus Van Sant’s melancholy road movie mines the ambiguously queer tensions in the history play Henry IV.

Jul 25, 2024 During a tumultuous period in New York’s history, movies like Midnight Cowboy, Taxi Driver, and Shaft found excitement and squalor in one of the city’s most infamous tourist attractions.

Jul 23, 2024 Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.

Jul 18, 2024 Daniella Shreir, the translator of a collection of Duras’s writing on her films, has curated a comprehensive retrospective.

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