The Criterion Collection
The director of Something Wild reminisces about his encounters with John Cassavetes, Jean Renoir, and David Lean.
The actor and director praises Midnight Cowboy as “a miracle of a movie,” calls James Stewart his favorite actor, and talks about discovering John Cassavetes’s films in his teenage years.
The actor and comedian gravitates to 1940s film noir, the “weirdly timely” shock comedy of John Waters, and movies with memorable soundtracks.
The award-winning actor highlights performances he admires, including John Hurt in The Elephant Man, Peter Sellers in Being There, and Catherine Keener in Being John Malkovich.
The actor, known for her roles in Transparent and Hustlers, pays tribute to the pioneering subjects of Paris Is Burning, muses about her dream of starring in a future remake of Thelma & Louise, and praises the sexy smoothness of...
The director of The Living End and The Doom Generation reminisces about writing papers on Bringing Up Baby in film school, defends one of David Lynch’s most polarizing masterpieces, and calls John Waters “the original godfather of everything.”
The comedian, actor, and podcaster picks up a couple of classic westerns, a favorite movie that has long eluded his comprehension, and a John Waters film he considers “one of the only weapons against fascism we have.”
During one of his frequent visits to our office, the iconoclastic filmmaker shared memories of his talented friends, including Jack Nicholson, Rudy Wurlitzer, and John Cassavetes.
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The Daily
Oct 7, 2022 — Isabelle Huppert, Olivier Assayas, Sally Potter, John Smith, Edgar Wright, and Ethan Hawke have a lot to say.