The Criterion Collection
Essays
Dec 3, 2008 — Gliding on silvery reels of steel, and tricked out with Lars von Trier’s panoply of visual effects, the film ravishes with its elaborately storyboarded tunnel vision.
Oct 22, 2007 — Through the alcohol-induced convulsive movements of Firmin, a fallen diplomat, John Huston puts what is perhaps his own fear of decline, of departure without making peace with one’s loved ones, on the screen.
Jul 9, 2007 — Hiroshi Teshigahara’s late work is a masterful amalgam of high international modernism and traditional Japanese fine arts.
Mar 26, 2007 — Across five films, the Swedish director defined his guiding themes and cinematic style.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Astrid Hadad
Aug 28, 2006 — Pietro Germi’s brilliant satire skewers Italian society’s devotion to appearances and its cultlike obsession with gossip and honor.
Nov 21, 2005 — Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann, in 1950, was in some way an admission by the...
Essays
Mar 26, 1998 — In The Lady Vanishes, Alfred Hitchcock pushes the romantic comedy-thriller form to perfection. Endlessly imitated, the film remains unique, even in Hitchcock’s canon. In no other movie but North by Northwest was he able to blend these two genres so...
The Daily
Nov 5, 2018 — Alice Rohrwacher’s third feature, currently playing in Europe, heads to home screens at the end of the month.
Sep 23, 2013 — The neorealist master and the Hollywood icon forged a brilliant artistic path together, despite the backlash their controversial romance generated.