The Criterion Collection
Essays
Jan 16, 2024 — Drawing on the influence of a wide range of genres, John Sayles creates a densely layered narrative that unfolds across two timelines and explores the long-hidden secrets of a small border town in Texas.
The Daily
Jan 10, 2024 — The twentieth edition of MoMA’s festival of film preservation features classics and fresh discoveries from around the world.
The Daily
Jan 10, 2024 — A Nigerian exile wanders 1968 San Francisco in this gorgeously shot time capsule.
The Daily
Jan 5, 2024 — Some big questions come up in discussions of work by Ozu, Welles, and Nancy Savoca.
The Daily
Jan 3, 2024 — The new year will bring us new work from Leos Carax, Bong Joon Ho, Francis Ford Coppola, Mike Leigh, David Cronenberg, Celine Song . . .
The Daily
Dec 22, 2023 — An appreciation of Raúl Ruiz, a chat with Maggie Renzi and John Sayles, and a holiday lightning round.
The Daily
Dec 18, 2023 — As we scan the latest lists, polls, and awards, it seems that many critical favorites are emerging in pairs.
The Daily
Dec 14, 2023 — Greta Gerwig will preside over the jury in Cannes, Sundance will celebrate forty years, and the Berlinale names a new director.
The Daily
Dec 13, 2023 — Critics have come around on his turns in Barry Lyndon and The Driver, and toward the end, he started patching things up with his family.
Dec 13, 2023 — In June 2023—six months after the release of his Oscar-winning, stop-motion, antifascist-fable version of Pinocchio—Guillermo del Toro found himself speaking to an audience at the Annecy International Animation Film Festival. Teenage Mutant Ninja Turtles: Mutant Mayhem, an underground-comix-influenced, hand-drawn-looking cartoon...