The Criterion Collection
Dec 5, 2012 — In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.
Short Takes
Nov 26, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...
Short Takes
Aug 16, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled the results....
Jul 14, 2012 — Simply stated, Wes Anderson is the most original presence in American film comedy since Preston Sturges. He is as boundlessly confident as Sturges was in his heyday, and he has a similarly keen ear for gaudy dialogue; a gift for...
Apr 25, 2012 — Pearls of the Deep: Alumni AssociationIn the mid-1960s, there was a brief window during which a remarkable cinema of ideas and visual experimentation flourished in Communist Czechoslovakia. This fecund period lasted approximately five years, from 1963 to 1968, when it...
Feb 7, 2012 — La Jetée (1963) and Sans Soleil (1983), made a tidy twenty years apart, are the twin peaks of Chris Marker’s creative achievements and his best-loved and most widely seen films. But who is Chris Marker? Writer, photographer, editor, filmmaker, videographer,...
Dec 13, 2011 — Just what is it that makes Seijun Suzuki’s Tokyo Drifter (1966) so different, so appealing? The cherubic hero in the neat powder blue suit, who looks like he was torn out of a yakuza pop-up book? That hauntingly cornball theme...
The world’s most famous Finnish filmmaker excels at a distinctive and effortless mix of scalpel-sharp comedy and spare, pitch-perfect visual storytelling.
Nov 8, 2011 — Aflurry of publicity around Fanny and Alexander began well before the start of production. Ingmar Bergman said it would be his final film, and he allowed unusual media access to the set, even welcoming a pair of journalists who kept...
Essays
Aug 30, 2011 — A startling blend of fantasy and reality, Lindsay Anderson’s satirical tale of adolescent rebellion personifies the 1960s.