End of the Road

May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.

Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.

Mar 17, 2020 — Released in, or rather let loose upon, the first year of the new millennium, Spike Lee’s febrile and ferocious media satire Bamboozled—the fifteenth feature-length “joint” of a prolific career—found its writer-director in an unflinching mode and an unforgiving mood. According...

Oct 27, 2025 — The self-trained filmmaker examined postindependence Nigerien society in morality tales that showcased his visual ingenuity and sly sense of humor.

Oct 22, 2021 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. Americans have long been encouraged to buy into the...

Sep 29, 2003 — Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.

Aug 5, 2024 — The expansive program includes the world premiere a new restoration of Wake in Fright with a new score performed live.

Nov 10, 2014 — Monte Hellman’s existential westerns take Beckett to the desert.

Jul 22, 2024 — RaMell Ross’s Nickel Boys will open the NYFF, and TIFF and Venice Critics’ Week have unveiled lineups.

Feb 11, 2025 — Jean-Luc Godard’s first English-language narrative feature is a postapocalyptic fantasy that shifts from antic humor to tragic grandeur while challenging deep-rooted assumptions about what a Shakespearean movie should be.