Door to Door

Oct 24, 2023 — A beautiful, intense woman stands in a large, dusky room, lit only by an oil lamp, her eyes wide in concern and something not far from panic, her eyebrows tremulously registering every thought and fear that passes through her mind,...

Oct 2, 2023 — Andrew Scott, Paul Mescal, Jamie Bell, and Claire Foy star in a melancholic story of romance and reconciliation.

Aug 10, 2023 — “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...

Jul 19, 2023 — This month we’re reading Pasolini, Chris Marker, Christian Petzold, Lorenza Mazzetti, Derek Jarman, and more.

Jul 11, 2023 — Martin Scorsese drew on the influence of Hitchcock and Kafka for this anxiety-ridden tale of one bizarre night in New York City—a movie that energized him during a tumultuous period in his career.

Jun 13, 2023 — The star of Miloš Forman’s Hair, Sidney Lumet’s Prince of the City, and Joyce Chopra’s Smooth Talk was seventy-one.

Jun 6, 2023 — The Hungarian filmmaker will give introductions and take questions during retrospectives hosted by the American Cinematheque and Film at Lincoln Center.

May 30, 2023 — Seamlessly blending an array of cinematic traditions, Thelma & Louise is more than anything a western—one that takes advantage of the genre’s elasticity and reflects its preoccupation with justice, liberty, and self-determination.

Nov 30, 2022 — Three Keaton shorts will open A Day of Silents at the Castro before a series runs through December 21 in Berkeley.

Oct 26, 2022 — Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...