The Criterion Collection
Dec 18, 2000 — Elegant humor cloaks despair in Luis Buñuel’s masterwork, wherein greedy characters flee their toxic lives and find refuge in the loneliness of dreams.
Jan 11, 1999 — This epic reimagining of medieval Russia was the most historically audacious production made in the twenty-odd years after Sergei Eisenstein’s Ivan the Terrible.
Essays
Jul 21, 1998 — Samurai III, Duel at Ganryu Island, is the last and best part of Hiroshi Inagaki’s Trilogy. In contrast to the earlier, more action-oriented Samurai I and II, this final section shows its hero Musashi (Toshiro Mifune) struggling with questions as...
Essays
May 5, 1998 — Borrowing inspiration from doom-laden French crime movies like Jean-Pierre Melville’s Le samouraï and ancient Chinese chronicles of patriotic assassins, John Woo’s film is a passionate cinematic upheaval.
Essays
Dec 9, 1991 — We used as much of the actual detail of physical things and of technique as we could possibly cram in, and as many players reflecting the endless variety of character and emotion of the real men as dramatization would allow.
Essays
Apr 10, 1989 — Two years after The Horse’s Mouth director Ronald Neame cast Alec Guinness in this film, based on a book by James Kennaway.
The Daily
Dec 4, 2024 — For the New York Film Critics Circle, Brady Corbet’s third feature is the best film of the year, but not everyone agrees.
Jan 6, 2025 — Sunday night’s big winners include The Brutalist, Emilia Pérez, and Flow.
The Daily
Sep 3, 2024 — The Room Next Door, The Brutalist, and Babygirl are met with both wild enthusiasm and serious reservations.