About Love

Feb 22, 2019 — If I were to list the criteria for my ideal project, creating a sculpture of Tadzio, the young boy from Death in Venice, for a Criterion release of Luchino Visconti’s adaptation would just about tick off all the boxes. Firstly, I love cinema,...

Dec 4, 2018 — Twelve episodic works and seventy-three shorts will premiere in Park City, while Rotterdam shines its spotlight on Parajanov and Godard.

Jul 25, 2018 — And Orson Welles’s The Other Side of the Wind will finally see the light of day.

Dec 8, 2017 — “We live in an age in which articles are written daily on the need for ‘checking out’ of online culture, so that we may disconnect from the bombardment of grotesqueries that keep us in an emotional tailspin,” writes Chuck Bowen,...

Nov 20, 2017 — “Charles Manson, the hippie cult leader who became the hypnotic-eyed face of evil across America after orchestrating the gruesome murders of pregnant actress Sharon Tate and six others in Los Angeles during the summer of 1969, died Sunday after nearly...

Aug 7, 2017 — The big news to catch up with here is the launch of Film Critic: Adrian Martin, “almost 20 years, on and off, in the making.” Adrian Martin has been writing essential film criticism for four decades now, and what’s collected...

Apr 27, 2017 — In his latest film, director Daniel Raim explores the legacy of two Hollywood veterans whose highly influential six-decade career has long gone unsung.

Nov 24, 2014 — There are few greater admirers of the late documentarian Les Blank than the legendary German filmmaker Werner Herzog. (The two were already close when Blank filmed the making of Herzog’s Fitzcarraldo for Burden of Dreams.) So we knew we wanted...

Feb 27, 2014 — Paolo Sorrentino was in the Criterion office recently to do publicity for his Oscar-nominated film The Great Beauty, and while he was here we thought we’d ask this cinephile a few questions about movies. In this short, casual interview, he...

With his stunning visuals, ambiguous narratives, and still relevant focus on modern alienation, this Italian master ushered in a new European art cinema permeated by a distinctly contemporary ennui.