A Single Man

Mar 2, 2021 — Anyone looking to demonstrate the range of this year’s competition might set Hong Sangsoo’s Introduction next to Dominik Graf’s Fabian: Going to the Dogs.

Feb 22, 2021 — Labor films are not where one typically goes when seeking love and grace. They are more often concerned with bodies subjected to torsion and the furrowed brow of someone who knows the cupboards are growing bare. Then there are the...

Feb 13, 2021 — Ify Chiejina is a Nigerian American artist from Queens, New York, with a multifaceted process that incorporates drawing, painting, collage, and pattern design, resulting in a distinctive approach to portraiture. Her work speaks to themes of family, identity, and a...

Feb 9, 2021 — What does parallax mean? It is a term that English speakers are perpetually learning and always forgetting. Leopold Bloom, in Ulysses: “Parallax. I never exactly understood . . . Par it’s Greek: parallel, parallax.” In the technical sense, the word...

Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.

Jan 27, 2021 — A film that centers on a transgender person or storyline enters the culture like any other movie. The difference lies in the discourse around it. A pervasive disregard for the realities of trans experience beyond the screen is evident in...

Jan 6, 2021 — “Of the various insects that like to make their home in our houses, certainly the most interesting, for her beautiful shape, her curious manners, and her wonderful nest, is a certain Wasp called the Pelopaeus. She is very little known,...

Jan 1, 2021 — Along with new features from Pedro Almodóvar, Lynne Ramsay, and Todd Haynes, the new year will bring series directed by Barry Jenkins, Sofia Coppola, and Wong Kar Wai.

Dec 29, 2020 — Channel Calendars The stars are aligned for the first month of the New Year on the Criterion Channel. We’re pleased to be kicking off 2021 with a tribute to Jane Fonda, whose greatest hits reflect her multifaceted career as a political activist...

Nov 25, 2020 — A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...