A Girl Like Her

Sep 29, 2021 — Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.

Sep 16, 2021 — As the Viennale prepares a retrospective, Toronto premieres what Davies calls “the best film I’ve made.”

Sep 7, 2021 — When Breathless opened in the U.S., the New York Times announced the arrival of “a hypnotically ugly new young man by the name of Jean-Paul Belmondo.”

Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.

Jul 19, 2021 — When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...

Jul 9, 2021 — A raucous, fast-talking diva, the actor had a remarkable ability to convey both glamour and silliness, a gift that made her the queen of screwball comedy before her untimely death in 1942.

Jun 29, 2021 — In Dee Rees’s ambitious and lyrical debut, the inner life of a queer Black teenager and poet is summoned in all its nuances and contradictions.

Apr 28, 2021 — A black-and-white comedy about a mother-daughter team of grifters opens New Directors/New Films.

Apr 16, 2021 — Few motifs in Indian cinema are as potent, as laden with history and meaning, as the train. In 1955’s Pather Panchali, Satyajit Ray immortalized the railways as the symbol of an alienating modernity in a newly independent India; in a...

Mar 23, 2021 — “Pleasure,” wrote Samuel Butler in The Way of All Flesh, “is a safer guide than either right or duty.” Surely this is true when it comes to watching films. While cinema can be edifying, most of us go to the...