The Criterion Collection
Essays
Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...
Tag Gallagher has written books on John Ford and Roberto Rossellini, as well as numerous articles, and produced video analyses of Rossellini, Ford, Ophuls, Hawks, Preminger, Dreyer, and von Sternberg.
Mar 24, 2025 — At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.
On the Channel
Nov 18, 2018 — Ingmar Bergman scholar Peter Cowie explores how the great actor’s authoritative screen presence allowed him to embody the director’s fears and ideals.
The Daily
Jul 29, 2025 — MoMA presents new restorations of three films from Germany and four from Hollywood.
The Daily
May 20, 2024 — Every rave and every pan salutes Coppola’s determination to realize his grandest vision.
Jan 17, 2023 — One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.
The Daily
Aug 27, 2021 — This week we’re delving into the history of Black cinema and reflecting on films from Afghanistan and Iran.
Jun 17, 2021 — The first real lesbian kiss in a film is an honor that rightfully belongs to Mädchen in Uniform. It’s true that a year earlier, in 1930, Marlene Dietrich played a tux-clad chanteuse who snogs a woman in a nightclub audience...
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.