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Unfaithful

Jul 11, 2005 The trickily variant sensibilities of the three daydreams and their long duration are what mark Unfaithfully Yours as a stray modernist object.

Oct 28, 2008 Winner of a 2005 MacArthur Foundation Fellows Program genius grant, Jonathan Lethem is one of America's premier contemporary writers. His works include the novels The Fortress of Solitude and Motherless Brooklyn, as well as a vast array of short stories...

Jonathan Lethem is the author of thirteen novels, including Chronic City and Brooklyn Crime Novel. His writings and commentaries on film include the monograph They Live; liner notes for releases of Robert Siodmak’s The Killers, Thom Andersen’s Red Hollywood, Orson...

Oct 19, 2023 Her entrance in the film is impossible to forget. She swings into the scene to serve a patron some coffee, holding a cup in one hand and a book in the other. Her diamond-shaped face is obscured, but her aura...

Sep 21, 2023 This October, brace yourself for chills, thrills, and some of the most mind-bending, spine-tingling horror imaginable.

Sep 30, 2021 The Oscar-winning actor—whose one-hundredth birthday we’re celebrating on the Criterion Channel—embodied a mess of contradictions that have long been obscured by her reputation for unbending rectitude.

Jul 20, 2021 Dismissed as gossip-column fodder in its time, Jacques Deray’s cooly enigmatic villa thriller is an exploration of masculine vanity and feminine disillusion.

Feb 25, 2021 Channel Calendars Giddy up, movie lovers! This month on the Channel, our Black Westerns series leads the charge, highlighting films that have challenged the myths of the Old West to tell the stories of African Americans on the frontier. And...

Oct 23, 2017 David Bordwell’s new book, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling, is out, and we’ll be hearing more about it soon. For now, though, New Yorkers will want to know that Bordwell’s coming to town, specifically to the Museum...

Jan 21, 2015 Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?

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