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Underneath

Aug 17, 2021 Songbook It will always figure for me as an interval of eerily suspended time: not only a formative moviegoing experience but a jolt of awareness when the line between screen and life dissolved. In a dimly lit Tokyo cabaret the...

Jul 19, 2021 The Palme d’Or, Caméra d'Or, Un Certain Regard Prize, and Palme d’Or for best short film have all gone to women directors.

Jul 6, 2021 Howard Hawks’s madcap battle of the sexes is a reminder of how necessary and sneakily profound silliness can be.

Heading to Market

The Daily

Jun 16, 2021 We’re catching up with news of projects in the works from Todd Haynes, the Dardennes, Rebecca Miller, Todd Solondz, and Gina Prince-Bythewood.

May 11, 2021 When Fast Times at Ridgemont High came out, in the summer of 1982, I was almost exactly the same age as Jennifer Jason Leigh’s Stacy Hamilton, getting ready to start my sophomore year in high school. Like Stacy’s world-weary older...

2021 SAG Awards

The Daily

Apr 5, 2021 For the first time, all four individual film acting prizes have gone to people of color.

Feb 24, 2021 Hollywood is the unofficial ministry of propaganda for the United States. Newcomers to this country typically begin their process of Americanization well before they arrive, having been exposed, for quite some time, to the long-distance bombardment of American blockbusters. In...

Jan 12, 2021 In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...

Oct 30, 2020 Channel Calendars With Thanksgiving around the corner, we’re grateful to the tireless preservationists who keep film history alive. Founded by Martin Scorsese in 1990, The Film Foundation has been an indispensable pillar of moving-image culture for the past three decades,...

Oct 13, 2020 I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...

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