Umberto D.

Nov 3, 2017 — “The return of Twin Peaks in 2017 came like a Taser shock to the ‘golden age of television,’ overturning audience expectations for what Twin Peaks—and TV—could encompass, both in narrative and form,” writes Aliza Ma in the new issue of...

Oct 19, 2017 — Even as we mourn the loss of Danielle Darrieux, we need to remember a few more names and faces that have left their marks on cinema, and we begin with French actor Jean Rochefort. “I am absolutely stunned,” writes Terry...

Oct 25, 2016 — On their way back to Mumbai, the filmmaking pair dropped in for a chat about their film The Cinema Travellers, which documents the last traveling-cinema exhibitors of the western Indian state of Maharashtra.

Nov 3, 2015 — We present an excerpt from the book David Lynch: The Man from Another Place, by Dennis Lim.

May 12, 2014 — The Italian cinema expert describes the immense popularity of Dino Risi’s film in its home country, and the way it deepened the commedia all’italiana genre.

Mar 24, 2014 — Rome is as exquisite as it is suffocating in Paolo Sorrentino’s profound tale of contemporary entropy.

Mar 21, 2012 — The famed collaboration between director Mikhail Kalatozov and cinematographer Sergei Urusevsky, which, with its distinctive combination of effective melodrama and a wild, powerful visual style, helped make Kalatozov the most successful Soviet cinematic export of his generation, in fact spanned...

Oct 4, 2011 — Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.

Jan 26, 2010 — "All roads lead to Rome Open City,” Jean-Luc Godard once said, playing on the old Italian proverb—and meaning, we can assume, that when thinking about modern cinema, one always has to come to terms with Roberto Rossellini’s seminal film. Indeed,...