Today We Live

Feb 19, 2018 — Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.

Jan 9, 2018 — Before we take another look back at the best (and today, the worst) of 2017, let’s note that, for Grasshopper Film, Radu Jude (Aferim!, Scarred Hearts) has listed, in chronological order, his eleven favorite films of the past ten years....

Aug 7, 2017 — The big news to catch up with here is the launch of Film Critic: Adrian Martin, “almost 20 years, on and off, in the making.” Adrian Martin has been writing essential film criticism for four decades now, and what’s collected...

Oct 6, 2016 — We’re excited to share the latest news about the launch of FilmStruck and the Criterion Channel.

Apr 24, 2015 — Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.

Oct 1, 2014 — In the hands of director Serge Bourguignon, a potentially sensationalistic story becomes a poetic and complex investigation of love and pain.

Oct 28, 2011 — The following is excerpted from a 1972 interview that film scholar Joan Mellen conducted with director Kaneto Shindo. The interview originally appeared in the 1975 book Voices from the Japanese Cinema. I find the social dimension of your films very...

Aug 30, 2011 — A startling blend of fantasy and reality, Lindsay Anderson’s satirical tale of adolescent rebellion personifies the 1960s.

Mar 21, 2011 — Living Room The cinema of Mikio Naruse is one of heartbreak but also one of indomitable poise. Melodrama is the director’s stock-in-trade. His stories are inhabited by people, generally women, imprisoned in their domestic and professional circumstances by the status...

Feb 1, 2011 — This essay was originally published in the booklet accompanying the 2006 DVD release of The Double Life of Véronique. A new life experience is in the air today, a perception that explodes the form of the linear narrative and renders...