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Thriller () also writer

Sep 19, 2011 Jean-Luc Godard, lover of paradox, once characterized Claude Chabrol’s Les cousins (1959) as “a deeply hollow and therefore profound film,” a pronouncement, like so many of the pithy mots Godard used to reel off in the pages of Cahiers du...

Erotic ’90s

The Daily

Mar 27, 2023 Karina Longworth launches a new season of You Must Remember This and a screening series in Los Angeles.

Venice 2017 Lineup

The Daily

Jul 27, 2017 Venice International Film Festival director Alberto Barbara has presented the lineup for the seventy-fourth edition (August 30 through September 9) at a press conference in Rome. I’ve gathered notes and trailers.CompetitionAi Weiwei’s Human Flow. From the Hollywood Reporter’s Tatiana Siegel:...

Secret Honor

Essays

Oct 18, 2004 Nixon as Hamlet, Nixon as Lear, Nixon as Blanche DuBois, Nixon as Krapp—clutching every last tape to his breast with the wild fury and despair of a man on the precipice . . . Nixon in his study, poring over...

Jun 30, 2008 The idea of self-fashioning—of deliberately taking the raw materials of one’s body and mind and transforming them into a work of art—has been with us at least since the Renaissance. Yet no one, not even Oscar Wilde, has so rigorously...

November Books

The Daily

Nov 23, 2022 Featured in this month’s roundup: Maya Deren, Joyce Chopra, Michael Almereyda, Nabokov, Pasolini, and Miyazaki.

Nov 17, 2020 Along with Dead Man (1995), his previous narrative feature, Ghost Dog: The Way of the Samurai marks a quantum leap in the Jim Jarmusch universe—a discovery of history (both antiquity and tradition) that carries with it a sense of gravity and even tragedy...

Women in Time

The Daily

Apr 5, 2024 Léa Seydoux is the star of the week, and we’re also reading about Marguerite Duras, Juraj Herz, and Kinuyo Tanaka.

Dec 11, 2023 Justine Triet’s film and star Sandra Hüller are also favorites for critics in Los Angeles, Boston, and Washington, D.C.

Jul 20, 2022 A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.

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