The Criterion Collection
Nov 3, 2009 — If ever there was a European art film that could be all things to all people, it’s Wim Wenders’s 1987 masterpiece.
Nov 12, 2007 — What is left of Berlin Alexanderplatz, this endless canon of the sublime and the trivial, is thus a perpetuum mobile of the human dance of love and death.
May 26, 2026 — Top prizes go to films by Cristian Mungiu, Andrey Zvyagintsev, Valeska Grisebach, Paweł Pawlikowski, and Los Javis.
The Daily
Apr 10, 2024 — Oksana Karpovych’s second feature juxtaposes images of a ravaged Ukraine with the voices of Russian soldiers.
Essays
Sep 29, 2003 — Roman Polanski’s maiden feature would define his maverick status once and for all.
The Daily
Oct 8, 2025 — We remember an artist, teacher, and filmmaker who unleashed realms of depth from two-dimensional images.
The Daily
Mar 20, 2018 — For the London Review of Books, Gaby Wood writes about Nicholas Ray’s In a Lonely Place (1950) and the 1947 novel it’s based on by Dorothy B. Hughes. “When filming began, Ray was married to its female lead, Gloria Grahame;...
Dec 9, 1991 — This rarely seen, overlooked gem, featuring what may be one of Marlon Brando’s most fascinating characterizations, was Gillo Pontecorvo’s worthy follow-up to his political masterpiece The Battle of Algiers. The brilliant radical Italian director achieved something unique in cinema, by...
Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 More than eight decades since its release, Dos monjes (1934) continues to invite reappraisals, as much for its expressionist style—exceptional within Mexican cinema—as for its nonlinear narrative and for the creative contributions of...
Essays
May 17, 2011 — “There was a strong influence of Baudelaire’s Fleurs du mal throughout this film,” director Masahiro Shinoda would later remember of his 1964 squid-ink noir Pale Flower, made in the days when his career as a filmmaker and founding figure of...