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The Music Man

Dec 11, 1989 Previous rock-and-roll movies had been little more than showcases for the latest music, aimed at exploiting the youth market, cheaply made and melodramatic—then along came one of the most finely crafted films ever made about rock-and-roll.

Swing Time

Essays

Mar 12, 1990 This Fred Astaire-Ginger Rogers film is a classic example of how music and dance can be used to tell a story, express emotions, richly explore human relationships, subvert logic, and send us singing and skipping into the street.

Mon oncle

Essays

Jul 1, 1990 Jacques Tati’s radiant comedy charms first by its fresh simplicity and later by the depth and richness of its technique.

Dec 3, 2018 True Stories, David Byrne’s 1986 paean to American eccentricity and ordinariness, called to me from the shelves of a video store in Austin, Texas. Subtitled “A Film About a Bunch of People in Virgil, Texas,” True Stories is not “true”...

May 29, 2020 This week we’re learning about one of the world’s first tracking shots and catching up with Guy Maddin, Lewis Klahr, Sarah Cooper, and Steve Buscemi.

Mar 28, 2019 Flashbacks No filmmaker of his generation from Eastern Europe could match the charisma and originality of Dušan Makavejev. Forever bustling from festival to festival with his inspiring wife Bojana Marijan—who contributed to the sound and music on many of his...

Oct 27, 2014 Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.

Jul 5, 2020 Among today’s most revered jazz musicians, pianist and composer Jason Moran stands out for how seamlessly he blends tradition and innovation. Throughout his now two-decade career, he has honored the complex history of one of America’s most storied art forms...

Mar 28, 2011 Topsy-Turvy is both an anomaly among the films of Mike Leigh and, contrary as it may seem, a Rosetta stone. On the one hand, it is Leigh’s only costume picture and only biopic—a far cry from the bittersweet, realistic films...

Jul 7, 2020 The renowned composer of well over four hundred film scores was equally at home in avant experimentation and tear-jerking sentimentality.

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