The Criterion Collection
Essays
May 3, 2011 — Ingmar Bergman’s exquisite carnal comedy turns a set of boudoir farce conventions into lyrical poetry.
Apr 14, 2015 — Before he turned Vienna into a labyrinth of shadows with The Third Man, Carol Reed brought film noir to Belfast for this stylishly fatalistic tale of a man caught up in political violence.
The Daily
May 29, 2025 — The rise of fascism upended the childhoods of both filmmakers.
The Daily
May 27, 2025 — The triumphant return of Jafar Panahi capped off what many consider to be a terrific year at Cannes.
Features
Aug 9, 2022 — An indie pioneer whose life was cut tragically short, the Texas filmmaker found grace in the tedium of repressive small-town existence.
Apr 9, 2018 — Ingrid Bergman’s work in her native Sweden was an early showcase for her dazzlingly precocious talent and emotional depth.
On the Channel
Jan 23, 2018 — With her award-winning short film playing on the Criterion Channel, Chilean newcomer Francisca Alegría chats with our programmer about the art and experiences that inspire her work.
The Daily
Apr 3, 2024 — This year’s edition is bookended by two very New York movies.
Nov 22, 2022 — Spike Lee’s transcendent portrait of an American hero is an urgent call for the nation to live up to everything it claims to be.
Oct 20, 2020 — At the start of The Gunfighter, Jimmy Ringo is a man with eleven kills to his name, soon to be twelve. But the only place he actually appears to be very violent, or even very vital, is in other people’s...