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The Godfather

Feb 26, 2021 There would be no Indonesian cinema without Usmar Ismail (1921–71). His third feature, The Long March (Darah dan doa, 1950), was not only the first film to be produced by a fully Indonesian crew and production company but also one...

Nov 29, 2019 American gangsters, Chinese filmmakers, and a Czech animator are featured in this week’s round.

The Man Behind the Gore

On the Channel

Oct 25, 2019 When he set out to become a director in the early 1960s, Herschell Gordon Lewis wanted to work on the kinds of movies that the major studios could never dream of making. His taste for the perverse gave rise to...

Sep 30, 2019 Check out what’s in store next month on our streaming service!

Apr 25, 2019 A guide to the guides to this year’s edition.

November Books

The Daily

Nov 14, 2018 The history of Hollywood is the focus of this round, but its reach also extends well beyond.

May 9, 2018 In this followup to Embrace of the Serpent, a mob story is interwoven with Wayúu Native American rituals.

Jun 8, 2017 When we think of American cinema in the 1970s, it’s the “New Hollywood” that first comes to mind, landmark films such as The Godfather and Taxi Driver, Nashville and Chinatown. In his new book, Opening Wednesday at a Theater or...

Feb 9, 2016 Jan Troell’s narration of one Swedish couple’s arduous journey to America portrays the migratory quality of marriage—of “finding that you think of this person who is not you, or this place that is not the land of your birth, as...

Jul 30, 2015 It is now thirty years since the release of Stephen Frears’s film, which was both a product of and a response to the social and political landscape of 1980s Britain and depicted the lives of Pakistani immigrants with wit and...

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