The Front Page

Jan 12, 2017 — This month, we’re introducing two new Criterion Blu-ray editions to the United Kingdom: Black Orpheus, Marcel Camus’s Oscar-winning adaptation of the ancient Greek myth; and Howard Hawks’s rapid-fire newspaper comedy His Girl Friday, accompanied by Lewis Milestone’s newly restored The...

Jun 17, 2015 — From a shrewd adaptation by André Gregory and Wallace Shawn, Jonathan Demme fashions a visually inventive dreamscape out of an Ibsen classic.

Dec 3, 2014 — “We were just in London, clubbing, all those things people did in the ’60s in the middle of London,” British actor Francesca Annis recalls, in an interview on the new Criterion release of Macbeth, of “crossing paths” with director Roman...

Dec 6, 2017 — “There’s topical, there’s timely, and then there’s The Post, which feels less like a historical thriller set in 1971 than it does an exhilarating caricature of the year 2017,” begins David Ehrlich at IndieWire. “While Steven Spielberg’s latest film rivetingly...

Jul 21, 1998 — On November 2, 1975, the Italian director Pier Paolo Pasolini was found dead—murdered, police said, by a young male prostitute. However lurid its details (the Roman tabloids ran huge front-page photos of the disfigured corpse), his death struck many as...

Sep 30, 2016 — Amy Fine Collins is special correspondent to Vanity Fair, where for over twenty years she has written features about fashion, art, Hollywood, and society. An arbiter and owner of Vanity Fair’s international best-dressed list since 2003, she was inducted into...

Jun 22, 2010 — In the autumn of 1989, the Iranian magazine Sorush printed a story about an unusual crime: a poor man had been arrested for impersonating a celebrated film director, Mohsen Makhmalbaf, to a middle-class family in northern Tehran. Although the accused,...

Feb 19, 2018 — Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.

Oct 24, 2023 — The season brings Barbra Streisand’s memories, the “joyously vulgar” Burton and Taylor, and the story of Siskel and Ebert.

May 30, 2014 — The long relationship between director and festival has never been without its complications.