The Criterion Collection
The Daily
Mar 23, 2018 — New York. The Film Society of Lincoln Center has rolled out the lineup for the fifth edition of Art of the Real, “an essential showcase for the most vital and innovative voices in nonfiction and hybrid filmmaking.” The series will...
The Daily
Jun 2, 2017 — A new online quarterly, Film Colossus, has launched with an issue focusing on movie endings. Travis Bean cites Clayton Dillard’s interview with Apichatpong Weerasethakul that ran in Slant last year, specifically the Thai filmmaker’s observation that “there are really two...
Essays
Feb 23, 2021 — Released in 1985, during the exuberant flowering of films by women brought on by second-wave feminism, Joyce Chopra’s Smooth Talk now feels less of those years than like a harbinger of the #MeToo movement, an early challenge to a cultural...
Feb 26, 2020 — Before making history last year as the first black woman director to compete at Cannes, Mati Diop had been spending the previous ten years articulating her unique vision in a series of five acclaimed short films. The praise Diop has...
Interviews
Oct 16, 2014 — This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...
Oct 7, 2013 — René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.
Essays
Apr 25, 2011 — Brian De Palma brought hip, freewheeling funkiness to the American film renaissance of the late 1960s and early 1970s. Wised-up, cinema-savvy audiences across the country knew to seek out his movies for their scruffy wit, showmanship, and aesthetic innovation, not...
Dec 7, 2006 — Almost exactly twelve years ago, we were fervently working on the launch of a big website with tons of content called voyagerco.com. This was in the fall of 1994, and if you're wondering how long ago that was in web...
Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.
The Daily
Dec 6, 2023 — American Fiction, May December, and Past Lives lead with five each, and Showing Up has already won the Robert Altman Award.