The Criterion Collection
Short Takes
Oct 28, 2015 — For over fifty years, the brilliant composer and conductor Carl Davis has been enriching cinema with his evocative film scores. Although well-known for his silent movie work—he's created orchestrations for the re-releases of films like Harold Lloyd’s Speedy and Charlie...
Apr 26, 2011 — At once prestigious literary adaptation and slapstick buddy flick, this is something like a lowbrow art film, an egghead monster movie, a hilarious paean to reckless indulgence, and perhaps the most widely released midnight movie ever made.
Features
Sep 16, 2010 — I didn’t know quite what to say to Allan King when I met him for the first time in the fall of 2003 at his home offices in downtown Toronto. This was partly out of deference to his reputation as...
The Daily
Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.
The Daily
Mar 16, 2023 — While the competition juries have their say, critics spotlight a few favorites from the gala premieres.
The Daily
Aug 3, 2022 — Film at Lincoln Center’s retrospective ranges from silent classics and intimate melodramas to sprawling westerns and historical epics.
Features
Mar 6, 2017 — To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.
The Daily
Oct 26, 2022 — Todd Field’s Tár leads with five, followed closely by Charlotte Wells’s Aftersun with four.
Dec 11, 2012 — Philip Glass’s experimental operas and symphonic works of the 1960s and ’70s laid the groundwork for his hypnotic Qatsi scores.
Dec 21, 2016 — Garrett Brown in our kitchen reenacting a Steadicam-shot scene from Blow Out In 1975, the cameraman Garrett Brown revolutionized filmmaking technology with the Steadicam, an invention that brought together the agility and immediacy of a handheld camera with the smoothness and...