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The Collector

Mar 31, 2025 The first five days of New Directors/New Films, the showcase of new talent copresented by FLC and MoMA, are packed.

Sep 14, 2018 Agnès Varda returns to Interview, David Lynch talks about his art, and more.

Feb 20, 2018 David Bordwell has revisited The Donovan Affair (1929), “Columbia’s first all-talking picture, and Frank Capra’s as well.” It’s “an unusually fluid early talkie” and studying it teaches us “some things about those transitional years 1928-1932, when filmmakers were figuring out...

Feb 18, 2018 “Nymphetmania has a long and hoary pedigree in Hollywood, and flourished years before Nabokov gave us the Lolita syndrome,” writes Molly Haskell in the Guardian. “D. W. Griffith’s child-woman ingénues such as Lillian Gish and Mae Marsh were ‘pseudo-nymphets’ (critic...

Feb 17, 2017 In 1970, legendary filmmaker Roger Corman founded New World Pictures, an independent studio that produced and distributed everything from B-movies and exploitation films to acclaimed foreign art-house fare by Federico Fellini, François Truffaut, and Ingmar Bergman. It became a breeding...

Designing for del Toro

Criterion Designs

Oct 26, 2016 When putting together the Criterion editions of Guillermo del Toro’s films, we assembled a talented group of artists, including Hellboy creator Mike Mignola, del Toro collaborator Guy Davis, comic book creator Becky Cloonan, and Russian artist Vania Zouravliov.

March Books

The Daily

Mar 21, 2023 Fiction by Lee Chang-dong, a spotlight on Cary Grant, and essays on Stan Brakhage are among this month’s highlights.

Aug 25, 2022 While working on our edition of Martin Scorsese’s 1980 masterpiece, producer Abbey Lustgarten found out how the director achieved some of the movie’s most evocative visual and sonic effects.

May 2, 2017 On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.

Aug 8, 2018 The concrete bunker looms up surreally from the rolling green countryside, a huge brutalist fortress sprouting from a hillside thick with wildflowers. This is the Library of Congress’s National Audio-Visual Conservation Center in Culpeper, Virginia, also known as the Packard...

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