The Criterion Collection
Jul 3, 2019 — Punk has been tamed, punk has been neutered, punk has been domesticated. The album The Stooges is fifty years old this August, and the music of omnidirectional bile and antiauthoritarianism that it anticipated has been museumified, the subject of a...
The Daily
Apr 17, 2018 — Up at the top, that’s Behnaz Jafari and Jafar Panahi in Panahi’s 3 Faces, which is slated to premiere in Competition in Cannes next month. Film Comment points us to an interview with Panahi in the latest issue of World...
The Daily
Apr 5, 2018 — Variety’s Elsa Keslassy broke the story yesterday, and now the Cannes Film Festival has confirmed it: Asghar Farhadi’s Everybody Knows with Penélope Cruz and Javier Bardem will open the seventy-first edition on May 8. Shot “in Spanish on the Iberian...
Features
Nov 3, 2015 — We present an excerpt from the book David Lynch: The Man from Another Place, by Dennis Lim.
Jul 17, 2015 — As visually and sociopolitically expansive as it is intimate in its details of a boy’s coming of age, Jan Troell’s film is one of the great cinematic debuts.
Features
Oct 23, 2014 — The author recalls meeting the filmmaker in a Swedish hotel in the ’70s.
Feb 8, 2011 — Federico Fellini was born and brought up in Rimini, Italy, a small seaside town in the province of Emilia-Romagna. Amarcord is a neologism he contrived, which comes closest to the Emiliano-Romagnolo dialect phrase mi ricordo (I remember). Fellini, a great...
Essays
Nov 16, 2010 — To make a silent film in 1931, four years after The Jazz Singer, was to buck the trend in a film industry rapidly divesting itself of silence. To make another in 1936, nearly a decade after the advent of sound,...
Nov 19, 2007 — Ingmar Bergman made some outstanding films before Sawdust and Tinsel (1953). But that film, released in America under the meretricious title The Naked Night—and known in Sweden as The Clown’s Evening—was the first that no other director could have made....