The Criterion Collection
Sep 9, 2013 — As outré as it is, the most subversive thing about this classic farce is its take on what’s normal.
Sneak Peeks
Jul 23, 2013 — The Oscar-winning Babette’s Feast has a cinematic flavor unlike any other film. Director Gabriel Axel invites viewers to swoon over the sensual and spiritual experience of the climactic meal as if they were eating it themselves. By the end of...
Short Takes
May 6, 2013 — The films of Max Ophuls, whose birthday we celebrate today, are luxuriously cinematic. His camera glides and tracks and cranes; we viewers swoon. But, as Molly Haskell has written, “the roving camera and the visual glissandos are never virtuoso flourishes...
Jan 25, 2011 — Sapphire: Inner City Given his strikingly eclectic body of work, it’s not surprising that Basil Dearden has never become a household name—he’s too hard to pin down. Moving effortlessly among comedies, melodramas, and thrillers, over a thirty-five-film, nearly thirty-year career,...
May 5, 2009 — French filmmaker Julien Duvivier is undoubtedly best known for the 1937 classic Pépé le Moko, starring Jean Gabin. But many film lovers today have seen little else by this poetic realist pioneer, a victim, Michael Atkinson writes in an insightful...
Essays
Jun 4, 2001 — Mad with images of nature in rebellion, Luis Buñuel’s 1964 film is a droll vision of Eden during the Fall starring a sumptuous Jeanne Moreau.
Jul 21, 2017 — A landmark of mainstream queer cinema, Donna Deitch’s 1986 feature debut returns to theaters in a new restoration.
From zany, hyperkinetic thrillers to swooning romances, these films showcase the energy and talent fueling one of the most vibrant cinematic hubs in Asia.
Essays
Jan 29, 2026 — Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.
On the Channel
Jan 20, 2026 — This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.