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Sexual Saga

Sapph-O-Rama

The Daily

Feb 2, 2024 Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”

May 17, 2023 Now that Jeanne du Barry has opened this year’s edition, critics look ahead to the movies they’re anticipating most.

Nov 28, 2022 We’re closing out the year with a gift bag full of screwball comedy favorites, a wagon train of wintry westerns, and a World Cup–ready team of eclectic football movies.

Jun 17, 2021 The first real lesbian kiss in a film is an honor that rightfully belongs to Mädchen in Uniform. It’s true that a year earlier, in 1930, Marlene Dietrich played a tux-clad chanteuse who snogs a woman in a nightclub audience...

May 26, 2021 Channel Calendars Next month, the Criterion Channel celebrates Pride Month with a host of extraordinary queer-themed films, including a new installment of our Queersighted series focusing on taboo-breaking artists, a trio of outré underground classics from John Waters, and a restrospective...

Nov 15, 2019 It’s a strange feeling: adoring cinema while at the same time always sensing that it’s not made for you. This is how I felt growing up, at least. I came of age watching movies, crushing on them so hard that...

Jun 17, 2018 The stakes are high. An unknown entertainer newly arrived in a foreign country prepares for her first performance, under pressure to make a hit with a restless, rowdy audience. It is a hot night; the crowd exudes a collective humidity,...

Sep 11, 2017 “On paper, what could be more sordid than an interview-portrait with Issei Sagawa, the infamous cannibal who became a tabloid sensation in the early 80s after he murdered and ate part of a Dutch woman in Paris?” asks Dan Sullivan...

Jul 17, 2017 We begin this round in the UK because, starting Friday, Park Circus is putting Basil Dearden’s Victim (1961) back in theaters, “marking 50 years since the Sexual Offences Act 1967 initiated a major development of the country's human rights legislation...

Aug 18, 2014 The filmmaker and critic discuss the pleasures and provocations of the Spanish auteur’s work.

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