Scenes from a Marriage

May 18, 2017 — Loveless is “two hours of gorgeously gloomy existential despair courtesy of the well-regarded Russian filmmaker Andrey Zvyagintsev,” writes Justin Chang in the Los Angeles Times. “Often touted as an heir to Tarkovsky, Russian cinema’s other famously austere Andrey, Zvyagintsev previously...

Feb 28, 2012 — The Swedish actor Erland Josephson died this week at age eighty-eight. We can think of no better tribute to the great actor (known especially for his commanding and playful performances in such films by Ingmar Bergman as Cries and Whispers,...

Mar 26, 2007 — Across five films, the Swedish director defined his guiding themes and cinematic style.

Nov 18, 2018 — The powerhouse actors at the center of Persona became two of Ingmar Bergman’s most essential collaborators, bringing a remarkable emotional range to their performances.

Mar 26, 2014 — The author recalls his encounters with the great Swedish actress.

Jun 29, 2010 — Photography, the basis of cinema, is also the foundation of Jan Troell’s Everlasting Moments. The Swedish title of Troell’s feature, his fourteenth, translates as Maria Larsson’s Everlasting Moments, which alludes to the photographs taken by its lead character, images of...

Dec 29, 2017 — From C. Mason Wells comes word that Dan Talbot, founder of New Yorker Films (and pictured above in front of the New Yorker Theater with Alfred Hitchcock), has passed away. “Alongside his wife Toby, few did more for world cinema...

Aug 26, 2017 — Alexandro Segade covers a lot of ground in his piece for Artforum on Sense8, the Netflix series created by Lana and Lilly Wachowski and J. Michael Straczynski which was cancelled this summer but granted one last two-hour episode for tying...

Apr 28, 2026 — As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...

Jun 26, 2024 — A happily married lawyer strikes up an affair with her teenage stepson in Breillat’s first feature since Abuse of Weakness (2013).