Runner

Jan 24, 2023 — The Daniels’ gender-blender is out front, followed by The Banshees of Inisherin and All Quiet on the Western Front.

Jan 17, 2023 — One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.

Jan 9, 2023 — We gather some of the best recent writing on the National Society of Film Critics’s choices for the best films of 2022.

Nov 22, 2022 — Deeply influenced by the classics of silent-era comedy, this vision of a postapocalyptic future celebrates cinema as a universal language that offers us a sense of common ground.

Oct 28, 2022 — Iranian cinema, the history of horror, and malevolent conspiracies are on our minds this week.

Oct 26, 2022 — Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...

Sep 19, 2022 — Let’s have a look at the award-winners and critical favorites.

Aug 5, 2022 — We wrap the week with melodrama and Odorama, a new magazine, and the summer of 1982.

Feb 11, 2022 — The week wraps with swift thrills from Steven Soderbergh and Dominik Graf and fresh appreciations of Louis Malle and Julien Duvivier.

Nov 23, 2021 — The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...