The Criterion Collection
This torchbearer of feminist cinema in France is celebrated for her sumptuous portraits of youth, desire, sexual discovery, and queer identity.
Acclaimed for a delicate portrait of queer Black adolescence and an ambitious epic set in the era of Jim Crow, the Nashville-born writer and director has distinguished herself as a major new force in contemporary American cinema.
The writer, director, actor, and producer shares what Marlon Riggs’s work means to her as a Black queer filmmaker, praises Rainer Werner Fassbinder’s radical approach to melodrama, and spotlights Chantal Akerman, Agnès Varda, and other directors whose work she can’t...
Jan 19, 2017 — Rainer Werner Fassbinder plays a working-class gay man hoodwinked by his uppity bourgeois lover in this unsparing portrait of queer culture in 1970s West Germany.
Chrystel Oloukoï is an artist, film critic, and curator focusing on experimental cinema, queer cinema, and Black continental and diasporic cinema. They hold a PhD from Harvard University and work at the University of Washington. Their writing has appeared in...
Kara Keeling is a professor of cinema and media studies and of American studies and ethnicity at the University of Southern California. She is the author of two books: The Witch’s Flight: The Cinematic, the Black Femme, and the Image...
Ryan Gilbey has written for the Guardian since 2002. His book on queer cinema, It Used to Be Witches, will be published in 2025.
So Mayer is the author of Truth & Dare (2023), A Nazi Word for a Nazi Thing (2020), Political Animals: The New Feminist Cinema (2015), and The Cinema of Sally Potter: A Politics of Love (2009), and the coeditor of...
Anne E. Duggan is an associate professor of French at Wayne State University, a coeditor of Marvels & Tales: Journal of Fairy-Tale Studies, and the author of Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy.
B. Ruby Rich is professor emerita at the University of California, Santa Cruz, and the former editor in chief of the journal Film Quarterly. She is the author of New Queer Cinema: The Director’s Cut (2013) and Chick Flicks: Theories...