Paul

Paul Coates is a professor emeritus of film studies at Western University, Ontario. Previously, he taught at Georgia, McGill, and Aberdeen, and his books include The Story of the Lost Reflection (1985), The Gorgon’s Gaze (1991), Lucid Dreams: The Cinema...

Paul Arthur is the author of A Line of Sight: American Avant-Garde Film Since 1965 (University of Minnesota Press). He is a regular contributor to Cineaste and Film Comment and is coeditor of Millennium Film Journal.

The actor praises Amy Heckerling’s gift for capturing the experience of youth on-screen, celebrates the rich legacy of musician Ryuichi Sakamoto, and calls Richard Linklater “the great American director.”

The fashion designer shares his close personal connections to Withnail and I and My Beautiful Launderette, finds inspiration in Breathless, and praises Akira Kurosawa’s use of color in Kagemusha.

The writer, director, actor, and cocreator of Hacks talks about how Being John Malkovich informed his sense of storytelling, praises Vanya on 42nd Street as one of the best productions of Anton Chekhov’s work, and admires Steven Soderbergh’s unique approach...

The comedian, actor, and author reflects on what Alex Cox’s Walker has to say about American history, talks about the subtle depth of Two-Lane Blacktop, and praises performances by Peter Falk and Walter Matthau.

The award-winning actor talks about his childhood experience seeing Carnival of Souls and his love for low-budget horror treasures, shares how Blue Velvet ignited his desire to become an actor and why Rashomon always moves him to tears, and praises...

The writer, philosopher, and director of Orlando, My Political Biography praises Spanish cinema masters Pedro Almodóvar and Carlos Saura, talks about the “visual therapy” of Jacques Tati and his love for the poetry of Chris Marker.

The actor-director stopped by our offices to stock up on movies by Yasujiro Ozu, Edward Yang, and other filmmakers who have shaped his sensibility.

Sep 5, 2018 — It took a while for Paul Feig—the director behind such smash-hit comedies as Bridesmaids and Spy—to come around to the darker side of cinema. Back in his college days, the filmmaker appreciated the superior technique of the dramas and foreign films he saw in his...