The Criterion Collection
The Daily
Mar 9, 2020 — The towering Swede left indelible impressions as a medieval knight, a few tormented artists, two emigrants, and a loving father.
Features
Mar 9, 2020 — “My objective is to create my own world, and these images which we create mean nothing more than the images which they are.” Andrei Tarkovsky More than three decades after his passing, the films of Andrei Tarkovsky retain their ability...
May 7, 2019 — “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...
Jan 16, 2018 — The ravages of poverty in contemporary Britain are translated with vivid authenticity in this drama from celebrated filmmaker Ken Loach.
The Daily
Dec 12, 2017 — “Evil is ascendant,” begins Manohla Dargis in the New York Times. “The Resistance—an intrepid, multi-everything group whose leaders include a battle-tested woman warrior—has been fighting the good fight for years but is outnumbered and occasionally outmaneuvered. Yes, the latest Star...
The Daily
Oct 6, 2017 — Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...
Features
May 2, 2017 — On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.
Essays
Dec 14, 2016 — Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.
Features
Sep 30, 2013 — The author describes his interactions with the great Polish filmmaker.
Essays
Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.