Noises Off…

Feb 11, 2008 — Though today he is most fondly remembered for his later romantic comedies, typifying Hollywood filmmaking in its heyday, it should be known that Ernst Lubitsch was also a pioneer of the modern movie musical.

Jul 9, 2007 — Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.

Jul 9, 2007 — Set almost entirely in a single house, Hiroshi Teshigahara’s eloquent collaboration with writer Kobo Abe shows both his powerful staging and his love of fine, almost microscopic, detail.

Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Feb 13, 2023 — Desperately seeking community in her college years, the writer discovered the world of experimental cinema when she stumbled on a short-film program at an art-house in Manchester, England.

Jun 15, 2021 — The publisher is launching Erika Balsom’s book on James Benning’s 2004 film and preparing a beautiful hardcover supplement to Apichatpong Weerasethakul’s Memoria.

May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.

May 9, 2018 — In this followup to Embrace of the Serpent, a mob story is interwoven with Wayúu Native American rituals.

Oct 28, 2014 — What you hear is as crucial—and as funny—as what you see in Tati’s films.

May 19, 2014 — As in his other films, the world of Abbas Kiarostami’s latest is one of simulation, not-quite-realness, and unexpected tenderness.