The Criterion Collection
Essays
Nov 12, 2024 — Filled with expressionistic shadows and pungent details of life in the criminal underworld, this seminal tale of money and violence was among director Howard Hawks’s favorite of his own films.
On the Channel
Oct 16, 2024 — This month, celebrate Noirvember with a dazzlingly dark lineup of hard-boiled pleasures.
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.
The Daily
Jul 24, 2024 — The retrospective lays the groundwork for the release of a new restoration of Army of Shadows.
On the Channel
Jul 17, 2024 — This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.
The Daily
Jun 18, 2024 — We’re diving deeper this month into a new Elaine May biography and memoirs from Susan Seidelman and Griffin Dunne.
Essays
Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.
Interviews
May 24, 2024 — During a period of seismic change in U.S. history, the Hollywood studio system began to fracture beyond repair, resulting in a new freedom in how movies explored themes of violence, psychosis, and social breakdown.
The Daily
Sep 14, 2023 — Male aggression threatens women’s lives in Kitty Green’s follow-up to The Assistant and Anna Kendrick’s debut feature.
The Daily
May 31, 2023 — It’s not every year that so many critics are pleased with the juries’ choices.