The Criterion Collection
The Daily
Jan 31, 2022 — What have the critics been saying about this year’s winners?
The Daily
Apr 28, 2021 — A black-and-white comedy about a mother-daughter team of grifters opens New Directors/New Films.
The Daily
Feb 19, 2021 — This week’s round takes us from Italy in the 1950s and ’60s to America in the ’70s and Hong Kong in the ’90s.
Jan 5, 2021 — The film begins at night. Under the credits, there are views from a car in motion, before four people arrive at a stately home in the woods. There is a married couple, François (Paul Frankeur) and Simone (Delphine Seyrig) Thévenot....
Essays
Nov 10, 2020 — In the half-light of the opening shot of Girlfriends, a woman asks, “What are you doing?” and another responds, “Go back to sleep.” You could dismiss this as a bit of passing dialogue—or you could see in it a larger...
The Daily
Oct 13, 2020 — Some critics are amused, others aren’t, but everyone agrees that Michelle Pfeiffer is outstanding.
On the Channel
Jun 29, 2020 — Channel Calendars This July, the Criterion Channel celebrates unconventional artists who march to the beat of their own drum, with spotlights on indie iconoclast Miranda July, cutting-edge composer Ryuichi Sakamoto, downtown poet Sara Driver, lyrical documentarians Bill and Turner Ross, and formally...
The Daily
Jun 12, 2020 — We’ve got a disparate set of highlights this week: Arthur Jafa, Josephine Decker, Bill Duke, Tsai Ming-liang, and the late Lynn Shelton.
Apr 28, 2020 — I first fell in love with Miranda July’s work with her strange, wild, poignant short stories; her stories led me to her novel and first two feature films, which I watch so often that they have over time become spiritual...
The Daily
Apr 10, 2020 — This week we’re reading Peter Wollen on Performance, Thomas Elsaesser on puzzle movies, David Bordwell on how movies work, and more.