The Criterion Collection
Nov 20, 2008 — David Hudson lives in Berlin and translated screenplays until his blog, GreenCine Daily, swallowed him whole. “It’s awfully daunting to scan a list of over four hundred titles—especially these four hundred–plus titles—and force yourself to pick out ten. I started...
May 25, 1992 — If Max Ophuls hadn’t cooled his heels in Hollywood to flee the Nazis, his name might have conjured only the most unintelligible of foreign cinema—vague and inaccessible to the average American filmgoer. But in 1948 Ophuls was given an opportunity...
The writer and director returns to the Criterion Closet, where he talks about a moment from Black Narcissus that’s ingrained in his memory, shares what he loves about Max Ophuls and The Earrings of Madame de . . ., and...
The actor and star of Nosferatu, Juror #2, and The Order shares why Shallow Grave is seared into his memory, talks about his love for Peter Sellers’s performance in Being There, and selects favorites by Bruce Lee, the Coen brothers,...
The director of I’m Still Here shares why Andrei Rublev and Stranger Than Paradise consistently renew his faith in cinema, talks about the unique mix of documentary and fiction in Memories of Underdevelopment, and praises how Garrett Bradley’s Time shows...
The acclaimed actor shares his affection for the dark humor of The Cremator, credits Benicio del Toro with introducing him to the films of Kaneto Shindo, and praises Mexican-cinema classics like Canoa: A Shameful Memory and Amores perros.
The musician and member of Portishead talks about the overwhelming experience of watching Antichrist, a score he cowrote for The Passion of Joan of Arc, and his memory of a BBC broadcast of Merry Christmas Mr. Lawrence.
Nov 12, 2025 — In this Sundance-award-winning exploration of war and memory, writer Cathy Linh Che shines a spotlight on her parents, who were Vietnamese refugees living in the Philippines when they were cast as extras in Apocalypse Now.
Essays
Jan 20, 2015 — Here he is: the real, unreal Guy Maddin, in his phantasmagorical, polymathic stew of sex, memory, and dreams.
Viet Thanh Nguyen is the author of the Pulitzer Prize–winning novel The Sympathizer and its sequel, The Committed. His other books include The Refugees and Nothing Ever Dies: Vietnam and the Memory of War.