The Criterion Collection
The Daily
May 27, 2022 — After firing up the screen in Something Wild, Liotta secured immortality as a wiseguy in Goodfellas.
May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.
Features
May 13, 2022 — The director of We’re All Going to the World’s Fair reflects on the transformative power of a Sonic Youth needle drop in Olivier Assayas’s 1996 film.
May 5, 2022 — Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...
May 2, 2022 — MoMA and the Harvard Film Archive present a program of more than forty overlooked features.
The Daily
Mar 4, 2022 — Freud and Jung make surprise appearances in this week’s roundup.
The Daily
Mar 3, 2022 — Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.
The Daily
Feb 9, 2022 — Restorations and revivals of works by two unjustly overlooked filmmakers are now underway.
The Daily
Jan 4, 2022 — A thread runs from the Truffaut season in the UK through the Rivette retrospective in Paris to the first feature directed by Juliet Berto.
Jul 13, 2021 — Miles: I just sold a building on the Lower East Side and tripled my money Molly: There’s a lot of that happening these days. Released the year before Oliver Stone’s Wall Street (1987), Working Girls, a film about sex work, is a sharper by far...