Jane

Mar 9, 2020 — Kelly Reichardt is the director of seven feature films: River of Grass (1994), Old Joy (2006), Wendy and Lucy (2008), Meek’s Cutoff (2010), Night Moves (2013), Certain Women (2016), and First Cow (2019). Her work was the subject of a...

Jan 17, 2020 — Cocteau in the ’50s, Jane Fonda in the ’60s, and Dustin Hoffman and Meryl Streep in the ’70s feature in this week’s round.

Jan 2, 2017 — With the debut of Me and You and Everyone We Know on the Criterion Channel, the acclaimed multi-hyphenate discusses her evolving creative process and her love of Jane Campion.

Apr 29, 2016 — The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.

Feb 25, 2016 — Actor, writer, and director Paul Schneider has long been a devotee of the Criterion Collection. His credits include films by Zhang Yimou, Warren Beatty, Christophe Honoré, Sam Mendes, and Woody Allen. Schneider won a best supporting actor award from the...

Sep 19, 2005 — Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.

Sep 8, 1998 — In David Lean’s Summertime, in which Rossano Brazzi seduces Katharine Hepburn—an aging, repressed Ohio “working girl” on vacation in Venice—the Continental lover reached his pinnacle and approached his end. In the next decade, he would be embodied by Marcello Mastroianni,...

The celebrated actors select favorite movies starring their friends Jason Schwartzman and Jane Fonda, regale us with stories about Omar Sharif and David Lynch, and share their love for films by Hal Ashby and David Lean.

The journalist and author praises the perfectly calibrated tension in Notorious, talks about Jane Fonda’s dynamic performance in Klute, and shares what makes Fanny and Alexander such a personally resonant film.

The actor selects feminist landmarks by Lizzie Borden and Barbara Loden, reflects on working with Hal Ashby, and praises Jane Fonda’s performance in Klute.