I Am Love

Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Jun 25, 2013 — “This list is so hard to make,” writes Lena Dunham, writer and director of the film Tiny Furniture and writer and creator of the HBO series Girls. “I am Criterion-obsessed and even own some Janus Films VHS’s . . ....

Feb 22, 2012 — Oren Moverman, who appears as a visitor to the theater in Vanya on 42nd Street, is the cowriter and director of the 2010 Oscar-nominated The Messenger. He served as a screenwriter on I’m Not There, Married Life, and Jesus’ Son,...

Jun 21, 2004 — Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...

Sep 22, 1997 — I ?rst read The English Patient in one gulp, sitting in a room on 77th and Columbus the morning after I’d ?nished a sweltering summer of ?lming in New York. When I put the book down, it was dark, and...

Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.

Sep 23, 2021 — Gina Prince-Bythewood’s iconic debut portrays Black love without forcing its heroine to compromise herself and her ambitions.

Nov 16, 2016 — The joy of new love collides with the anxieties of everyday life in Paul Thomas Anderson’s off-kilter foray into romantic comedy.

Aug 26, 2025 — Alice Wu’s feature debut is a romantic comedy in which the most compelling relationship is the one between a young queer Chinese American woman and her long-widowed mother.

Jul 11, 2023 — In her audacious debut feature, Cheryl Dunye blends romantic comedy and staged archival material to explore love, friendship, and early U.S. cinema’s history of exclusion.