The Criterion Collection
The Daily
Aug 4, 2022 — A quick briefing on the latest news from Venice, New York, Toronto, San Sebastián, and Philadelphia.
Oct 7, 2015 — It’s night in the desert. Mike (River Phoenix), a teenage hustler given to bouts of narcolepsy, and Scott (Keanu Reeves), a slumming preppy prince, are huddled over a campfire. “I just want to kiss you, man,” says Mike softly. The...
May 16, 1988 — Prior to the success of Scaramouche in 1952, many in Hollywood felt that the big-budget “swashbuckler” film was no longer a safe investment. While such motion pictures as MGM’s version of The Three Musketeers (directed by George Sidney, 1948) and...
The Daily
Aug 26, 2017 — Alexandro Segade covers a lot of ground in his piece for Artforum on Sense8, the Netflix series created by Lana and Lilly Wachowski and J. Michael Straczynski which was cancelled this summer but granted one last two-hour episode for tying...
Essays
Nov 23, 2010 — Easy Rider is a record of a certain time in American history, and a chronicle of a culture clash that never quite ended.
Sneak Peeks
Dec 3, 2012 — Everyone is talking about Daniel Day-Lewis’s riveting, persuasive performance as Abraham Lincoln in Steven Spielberg’s Lincoln. We’re also quite fond of Henry Fonda’s classic turn as a much greener version of the sixteenth president, in John Ford’s masterful and subtle...
Short Takes
Mar 5, 2013 — Today we tip our hats to the debonair, mischievous Rex Harrison, born on March 5, 1908. Perhaps remembered best for his role as the arrogant impresario Henry Higgins in My Fair Lady, the 1964 movie musical version of Pygmalion, Harrison...
The Daily
Sep 24, 2025 — She won the hearts of audiences and costars in The Leopard, 8½, and Fitzcarraldo.
Essays
Oct 17, 2023 — I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...
Features
Aug 10, 2023 — “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...