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Green Light

Jun 9, 2003 In Stan Brakhage’s films we enter into momentary perceptual transactions in which we trade unhindered assimilation of images for intensified contact with pictorial or sensory features that might otherwise go unnoticed.

A Lecture

Features

Apr 24, 2012 With a projector, a screen, some red cellophane, a pipe cleaner, and this script, you can re-create this performance piece by Hollis Frampton.

Feb 15, 2018 Think of The Grand Budapest Hotel (2014) and pink pastels, purple uniforms, and the occasional splash of red may come to mind, offset by the ochres and faded wood grains of the scenes that frame the main story. Moonrise Kingdom...

Mar 15, 2011 In Edward Yang’s cinema in general, and in Yi Yi in particular, character and environment are inseparable.

Candy-colored, lush, lurid—all words that have been used to describe the glory of Technicolor.

May 28, 2024 With just a few exceptions, critics are generally pleased with this year’s awards.

Nov 7, 2024 Critics argue that the fortieth feature directed by Clint Eastwood deserved more than a limited weeklong theatrical release.

Hollywoodland

The Daily

May 6, 2020 What if the Hollywood of the 1940s were less racist and homophobic than the America of the 1940s?

Dec 5, 2005 If there is a skeleton key to François Truffaut’s oeuvre, it is this film, in which all of his assorted gifts and preoccupations are in play and meshed into a uniquely idiosyncratic whole.

Annie Hall

Essays

Dec 3, 1990 Over the years I have had a recurrent nightmare in which I am summoned to a large, unfamiliar building in a middle-European satellite country (Bulgaria, perhaps) to tell the idea of Annie Hall to the Bulgarian Minister of Green Lights,...

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