The Criterion Collection
The Daily
Sep 22, 2022 — This month we’re reading about Jean-Luc Godard, Dirk Bogarde, Michael K. Williams, a few new novels, and just the state of things in general.
May 25, 2017 — “The botched bank robbery is a well-worn genre staple, but has ever a heist gone quite so wrong to quite such electric, propulsive effect as in Josh and Benny Safdie’s Good Time?” asks Jessica Kiang at the Playlist. “Bouncing wildly...
Oct 15, 2015 — Arnaud Desplechin stopped by for a visit and dispensed a few of his gems of wisdom.
Dec 1, 2009 — In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...
Nov 19, 2007 — Akira Kurosawa explores criminal machismo in his seventh film, which he felt was his official breakthrough in Japanese cinema.
Apr 21, 2009 — Fifty years ago today . . . Godard wrote this New Wave battle cry for the April 22, 1959, issue of the French journal Arts, on the news of François Truffaut’s The 400 Blows being selected to represent France at...
The Daily
Jan 8, 2024 — The National Society of Film Critics and the Golden Globes have us surveying the latest round of best-of-2023 lists and overviews.
Essays
Jun 18, 2007 — Yasujiro Ozu had already directed forty-five features by the time he started work on Early Spring, in 1955, but the artistic and commercial success of his previous film, Tokyo Story (1953), had rejuvenated him.
Mar 27, 2006 — The Italian drama marked the first full blossoming of director Vittorio De Sica and screenwriter Cesare Zavattini’s ongoing collaboration.
The Daily
Dec 23, 2025 — Head into the holidays with roundtables to watch, articles to read, and podcasts to listen to.