The Criterion Collection
Essays
Jan 7, 2014 — Satyajit Ray was ailing when he made them, but these three works from the great filmmaker’s final years show an artist at the height of his powers.
Jun 13, 2012 — Tasteful British cinema got a refreshing dose of amorality with Danny Boyle’s stylish and violent tale of greed and paranoia.
Jun 3, 1991 — Jean Marais on the set of Beauty and the Beast An excerpt from Cocteau: A Biography (1970) by Francis Steegmuller Beauty and the Beast, the first film of Cocteau’s own since The Blood of a Poet, and his finest poem since...
Dec 1, 2020 — Near the end of the late Bengali actor Soumitra Chatterjee’s six-decade career in cinema, journalists liked to ask him one question quite frequently: Why did he never enter Bollywood?Depending on your vantage point, this query is either reasonable or ridiculous....
The Daily
Jan 31, 2025 — As an Australian classic turns fifty, we’re also reading about Leos Carax and Catherine Breillat.
May 11, 2009 — Novelists learn not to expect too much when their books are made into movies. Obviously, great fiction has been turned into great cinema, but the dents and scrapes that so many classics have sustained on the rocky road from the...
Features
Sep 20, 2024 — With their virtuosic celebrations of death, giallo films reflect the air of paranoia and fear that haunted Italian society in the 1960s and ’70s, a period when the country was undergoing dramatic, violent changes.
Jun 16, 2010 — What seems so extraordinary to me about Mystery Train, watching it again twenty years after its deadpan arrival, is not just how fresh and vivid—how utterly timeless—it remains but the extent to which it truly embraces both the myth and...
The Daily
Jan 23, 2018 — Mandy, screening in the Midnight program at Sundance, “is a midnight-movie festival unto itself,” declares A. A. Dowd at the A.V. Club: “over two gonzo hours, it combines giallo, Clive Barker, Death Wish, prog rock, heavy metal, Heavy Metal, Guy...
The artist, musician, and director of Heart of a Dog shouts out Guy Maddin as one of her favorite filmmakers, praises the first scene in Sunday Bloody Sunday, and can’t resist Pier Paolo Pasolini’s Trilogy of Life.