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Faat Kiné

May 25, 2017 “The botched bank robbery is a well-worn genre staple, but has ever a heist gone quite so wrong to quite such electric, propulsive effect as in Josh and Benny Safdie’s Good Time?” asks Jessica Kiang at the Playlist. “Bouncing wildly...

May 19, 2017 “Although the word ‘overkill’ can be used to describe practically any of Takashi Miike’s films,” begins Maggie Lee in Variety, “in some ways, the director’s brutal, 2½-hour sword-fight fantasy Blade of the Immortal takes the notion to another level. For...

May 19, 2017 “Kornél Mundruczó’s Jupiter’s Moon is a messily ambitious and over-extended movie with some great images,” writes the Guardian’s Peter Bradshaw: “[L]ike his previous picture White God it leaves behind the somewhat torpid realist mannerisms of his even earlier films such...

Odes to Creativity

On the Channel

Nov 15, 2016 This week’s Short + Feature program on the Criterion Channel pairs D.A. Pennebaker’s three-minute experimental Daybreak Express and Ronald Neame’s feature comedy The Horse’s Mouth.

Apr 29, 2015 Peter Yates's crime drama is a haunting, singular experience, brutal and minutely observed, with a remarkably authentic sense of place.

Feb 3, 2015 Jean-Luc Godard returned to the character-driven intensity of his earlier films with this satirical but serious-minded take on men, women, and money.

Dec 10, 2013 Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.

Oct 21, 2013 As a film star, John Cassavetes embodied the kinetic, wild-eyed, insanely grinning villain. He seemed born to the role, with his volatile energy and dynamic outbursts, luminous yet curiously deadened eyes, wide-gaping mouth (David Thomson has likened it to a...

Feb 12, 2013 The Dardenne brothers return to the streets of Seraing for a typically humane and suspenseful story of personal redemption.

Sep 28, 2012 Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...

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