The Criterion Collection
The Daily
Jul 2, 2020 — New issues of photogénie, Comparative Cinema, and SCMS+ take on an array of raging crises.
Features
May 27, 2020 — Walking, like breathing, is something we do without thinking, an activity so commonplace that pedestrian has as its second meaning uninspired, ordinary, dull. Movies, however, reveal this action as more than just the original mode of getting from here to...
Dec 10, 2019 — Wim Wenders has often referred to his Until the End of the World (1991) as the “ultimate road movie,” and even he may not realize how accurate that description has turned out to be. It certainly was, and remains, the...
On the Channel
Jul 31, 2019 — From her early, New Wave–defining films to the quicksilver documentaries she made in the twenty-first century, Agnès Varda led a long and remarkable career devoted to experimentation with film form. A perfect illustration of the complexity and restless inventiveness of...
The Daily
May 14, 2019 — The seventy-second edition will present new work by some of the world’s most renowned filmmakers.
Sneak Peeks
Apr 26, 2019 — In conceiving the journey of Lonesome Rhodes—the protagonist of the 1957 satire A Face in the Crowd, a southern drifter who rises to become a national TV celebrity and political power broker—director Elia Kazan and screenwriter Budd Schulberg went on...
Apr 23, 2019 — Elia Kazan can be and has been called many things: a cinematic genius, an actor’s director, a womanizer, a government stoolie, an uncompromising artist and three-time Academy Award winner. But whatever your opinion of his personality, his temperament, or his...
The Daily
Apr 18, 2019 — This year promises a healthy mix of renowned auteurs and younger talents—and there’s more to come.
Apr 1, 2019 — The artist, photographer, and filmmaker leaves behind one of the most varied and restless oeuvres in cinema.
Essays
Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...